Archive for March, 2010

I’m pleased to report that the talented British designer Kristian Goddard, whom I blogged about back in January, has signed on as a contributor for Sloane. He has already begun lending his creative vision to feature articles and I am really pleased by his ability to meld his own unique ideas with that of the message of […]


Paranaiv

27Mar10

Aspiring Art Director and Interactive Developer, Sundnes, a.k.a Paranaiv from Olso, Norway  has an impressive portfolio of photography, conceptual work, web design and more.


I happily came across this site tonight (how, with all my time on the net, I haven’t found them before now is beyond me). They have extensive sections ranging from art and design inspiration to how-to tutorials and interesting articles. Check it out. This recent post on “infography” really grabbed me.


Great resource from one of my favorite sites.



Our current show at the gallery is a must see. Webster is one of a new generation of abstract painters who are breathing new life into the genre—yet, being in the gallery feels like you just walked into a show that could have been shown in New York in the 50s. Drawing from a variety […]


Extraordinary photography from Lepage Photography. I absolutely love his surreal set ups and color work. Tip via Feaverish Photography


After a photo shoot in Paris for Hintmag, the folks at My Orange Box received five images and the challenge to create a flash animation that reflected visions of madness and paranoia. The animation was created in After Effects and then imported into Flash to create the interactive elements. I think it is a beautiful […]


Great project by designer Chris Wilkinson for the forthcoming degree show at Sheffield Hallam University.


Oh Sloane…

06Mar10

Starting tomorrow I’ll begin laying out the very first issue of Sloane. Many late nights are surely ahead of me…So, before diving in I thought I’d take a moment to pay homage to the lady who is the magazine’s namesake: Sloane Peterson. The woman who opened my 9-year-old eyes to what it meant to be […]



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